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Retrospective of Kamal Haasan's films opens in Delhi

Information and Broadcasting Minister Ambika Soni and actor Kamal Haasan at the inauguration of a retrospective of the actor's films in Delhi on July 2, 2010.
Information and Broadcasting Minister Ambika Soni and actor Kamal Haasan at the inauguration of a retrospective of the actor's films in Delhi on July 2, 2010.

A retrospective of the films of well-known actor Kamal Haasan opened at the Siri Fort Auditorium in Delhi today to celebrate his 50th year in movies.

The three-day event was inaugurated by Union Minister of Information & Broadcasting Ambika Soni, who said the films chosen for the retrospective represented the spectrum of Kamal Haasan's work and showcased his sensitivity towards different characters, ideas, issues and images.

"A retrospective of films is a visual feast for the movie buff, as it provides an opportunity to view classics and also reflect their impact on society and human life, she said.

Ms Soni said Kamal Haasan had as an artiste over a period of time balanced cinema with realism. She said his portrayal of different characters created a pan India phenomenon, breaking the barriers of age groups, language and commercial interest.

According to her, some of the characters he played had left a deep imprint across all generations.

"His multilingual cinematic versatility ensured a fan following reiterating his mass appeal and acceptance of his cinema as a unique artistic expression," she said. She also pointed out that all the films being screened during the festival had a strong social message.

The Minister also stated that India’s brand identity as a nation of entertaining cinema was not due to Bollywood alone. It was the creative genius of cinema in all languages that also contributed immensely to the multicultural identity of the Indian film movement. The cine artistes also contributed in positioning India’s imprint as a nation with rich cinematic history worldwide by being goodwill ambassadors for the country.

The retrospective, organised by the Directorate of Film Festivals, features such films as Anbe Sivam, Virumaandi, Thevar Magan, Sagara Sangamam, Dasavatharam amd Nayagan.

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Benegal presents report on National Film Awards to Soni

Chairman of Expert Committee on National Film Awards Shyam Benegal presenting the report to the Union Minister of Information and Broadcasting, Ambika Soni, in New Delhi on May 11, 2010. Sharmila Tagore and Rajeev Mehrotra are also seen.
Chairman of Expert Committee on National Film Awards Shyam Benegal presenting the report to the Union Minister of Information and Broadcasting, Ambika Soni, in New Delhi on May 11, 2010. Sharmila Tagore and Rajeev Mehrotra are also seen.

Eminent film-maker Shyam Benegal, the Chairman of the Expert Committee on National Film Awards, presented the committee's report to Union Minister for Information & Broadcasting (I&B) Minister Ambika Soni here today.

Two other members of the panel, actress Sharmila Tagore and documentary film-maker Rajiv Mehrotra, I&B Secretary Raghu Menon and Director of Film Festivals S M Khan were amongst those present on the occasion.

The committee was constituted at the initiative of Ms Soni to make recommendations to the Government for upgradation of the National Film Awards to make them more contemporary.

According to an official press release, the committee studied in detail the various categories of awards, the mode of selection of awards by the jury as well as the awards function.

One of the key recommendations of the committee relates to the constitution of the jury. It has recommended that there should be a two-tier viewing of films by jury to facilitate the selection process. It has proposed a Central Jury and five Regional Juries to cover languages in different regions. It has also outlined guidelines for the composition of the regional juries.

In order to fine tune the awards according to the emerging realities of cinema, the committee has recommended the constiution of new awards in the sphere of audiography, music, best screenplay and dialogue. To make the nomenclature of the awards more contemporary, it has recommended that the award for Best Art Direction should be called Best Production Design.

It has recommended an increase in the number of awards in the feature film category from 31 to 34. It has also recommended raising the cash prize for special jury award feature films from Rs 1.25 lakhs to Rs 2 lakhs.

For the non-feature film category, the committee has recommended that the awards for the categories of Environment, Agriculture and Education may be split in two categories -- Best Educational Film and Best Film on Environment.

The cash component of Awards for Best Non-Feature Film and Best Direction should be enhanced from Rs. 1 lakh to Rs 2 lakh and brought on par with Feature Films, it said.

According to the committee, the Best Scientific Film should be called Best Science & Technology Film. The committee also recommended raising of the cash component of Special Jury Award from Rs 50,000 to Rs 2 lakh and that of Best First Non-Feature Film Award from Rs. 50,000 to Rs 1,25,000.

The other members of the committee were Ms Sai Paranjpye, Mr Ashok Vishwanathan, Mr Vishal Bhardwaj, Mr Nagesh Kukunoor, Mr Mohan Agashe, Ms. Waheeda Rehman, Mr Jahnu Baruah and Mr Shaji Karun.

Ms Soni appreciated the efforts made by the committee and said the Ministry would now process the recommendations.

The National Film Awards were instituted in 1954 and aim at encouraging the production of films of aesthetic and technical excellence, and social relevance contributing to the understanding and appreciation of cultures of different regions of the country in cinematic form and thereby also promoting integration and unity of the nation.

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Summer Bonanza of children’s films in Mumbai


Children in Mumbai have got a special vacation treat from the Children's Film Society of India - a month-long festival of films.

The festival, apltly titled "Summer Bonanza", has been organised by the Children's Film Society of India (CFSI) in association with the Films Division.

The 22 films will be screened from May 3 to 31 at the Films Division Auditorium on Pedder Road, and entry to the shows is absolutely free! The festival has been timed to coincide with the children's school vacations.

CFSI Chairperson and well-known actress Nandita Das told mediapersons today that the package included a range of children's genres from adventure to fantasy to wildlife. Many of the films had won prestigious national and international awards.

"We have a big treasure of films that are not only a lot of fun but also broaden children’s perspective about the world they live in. But till we don’t have children watching them, our work is incomplete," Ms Das said.

"We have already got a tremendous response to the Bonanza and we are looking forward to a fun-filled month where children and their parents will surely take home some treasured moments," she said.


Stills from the films Halo, Chutkan and Sunday1

Besides recent films like the latest animation series "Krish Trish and Baltiboy", the festival will also feature classics such as Shyam Benegal’s "Charandas Chor", Santosh Sivan’s "Halo" and "Malli" and Pankaj Advani’s "Sunday".

Wherever possible, the CFSI has also organised an interaction with the director and cast after every screening.

""We are doing this kind of screenings for the first time and we hope to get other partners, like the Films Division, to support us in holding film bonanzas for children throughout the country from time to time," Ms Das said.

She said the festival was part of CFSI's efforts to promote children's films amongst young urban audiences.

"The children today are more exposed to mainstream films meant primarily for grown-ups, and on TV they watch reality shows and series, both Indian and foreign, which are often violent and not conducive for children. There is little we can do to stop that, but we surely can provide an alternative by showing them value-based entertaining films," she said.

Chairperson of Children Film Society of India, Nandita Das addressing the media regarding “SUMMER BONANZA” of children’s film by CFSI and Film Division , in Mumbai on May 03, 2010. Chief Producer, Films Division, Kuldeep Sinha is also seen.
Chairperson of Children Film Society of India, Nandita Das addressing the media regarding “SUMMER BONANZA” of children’s film by CFSI and Film Division , in Mumbai on May 03, 2010. Chief Producer, Films Division, Kuldeep Sinha is also seen.

Mr Kuldeep Sinha, Director General of Films Division, said his generation had many more opportunities to watch children's films in cinema halls and auditoria.

"We hope to revive the culture of going to the theatre to watch children’s films and Summer Bonanza is a small step in this direction," he said.

He said that while the CFSI had a strong presence in small towns and villages across the country, where children’s films are screened regularly in collaboration with district collectors, urban centres had been neglected.

"We are thrilled therefore to announce the summer screenings in Mumbai and hope to replicate this in other cities," he said.

Summer Bonanza will also be held in Pune, Indore and Jaipur through the month of May, a CFSI press release added.

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10 films win awards at We Care Film Festival on Disability Issues


Ten films, including two from Israel and one each from Belgium and the United States, have won awards in different categories in the 7th International We Care Film Festival on Disability Issues.


The awards, in different categories - upto one minute, upto five minuties, upto 30 minutes and upto 60 minutes - will be presented at a function here tomorrow by Union Minister for Social Justice and Empowerment Mukul Wasnik.


The festival received as entries as many as 32 films which were screened at 18 venues across the country. Apart from professional film-makers, those who had sent in entries included students of mass communication institutes and non-governmental organisations (NGOs) working in the disability sector.


The festival is organised by Brotherhood in association with the National Trust, Asian Academy of Film and Television (AAFT), United Nations Information Centre for India and Bhutan (UNIC), and the United Nations Educational, Scientific and Cultural Organization (UNESCO).


The awards were finalised by a jury headed by eminent filmmaker Mike Pandey and which included media consultant B B Nagpal, filmmaker Anwar Jamal, educationist Shambhu Nath Singh and Festival Director Satish Kapoor.


The festival started in 2003 as an effort to sensitize individuals on disability issues through the medium of films and has today grown into a platform where filmmakers and NGOs working in the disability sector and mass communication students make films that aim to share knowledge and enhance awareness, break attitudinal barriers or highlight policy issues having a bearing on laws and social security spaces for the disabled in the country, Mr Kapoor, said.


"It is encouraging to see that filmmakers are now not merely scratching the surface but going deeper into the issue,’’ Mr Nagpal said.


``When we started the festival in 2003, most films celebrated the achievement of disabled persons but hardly any film tackled a policy issue. It is encouraging to see that things are changing," he said.


Films submitted this year appear to be capturing the inaction of a society to create conditions that can remove the ``handicap’’ that the differently challenged face.


``Normal people taking the help of assistive devices is never questioned, but when a disabled requires an assistive device to complete his or her education or to move about freely in society, it is just brushed under the carpet,’’ Mr K Kannan, co –founder, Brotherhood, said.


Mr. Shankar Chowdhary said UNESCO was happy to join hands with the We Care Filmfest. He said UNESCO would promote the festival throughout the SAARC region and as well as through its partner organizations. UNESCO is planning to take this festival to the SAARC countries from next year, he said.


The following is a list of the winners of this year's awards:


Upto 1 minute


Inclusive Education, Feel the Music, Ruk Jana Nahin


Upto 5 minutes


Waiting for you, Saksham Log, Virtue


Upto 30 minutes


Where to? (Israel), Beyond Borders (Belgium), More than Walking (US)


Upto 60 minutes


White Balance (Israel).


The Special Jury Award goes to the film "Tees" for the manner in which it depicts how an attitude of perceived pity can lead to virtual mental disability.


The jury also made a special mention of the film "Delicate Patterns" for imparting crucial knowledge about cerebral palsy and related mental disorders.


The jury recommended that a special category known as "Information" should be created for films that impart knowledge on issues related to disability.


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Bangladesh Film Festival in Delhi from April 16-18

A three-day festival of films from Bangladesh will be held here from tomorrow as part of the efforts to facilitate more cultural exchange programmes between the two countries.


The event is being organised by the Directorate of Film Festivals in collaboration with the Bangladesh High Commission at the Siri Fort Auditorium II. It will be inaugurated by Minister of State for Information & Broadcasting Choudhury Mohan Jatua.


An official press release said that this was the first time that a festival of Bangladesh films was being jointly organised by the two countries.


The seven films that will be screened at the festival are: Ontorjatra, Joyjatra, Bachelor, Rupkathar Golpo, Matir Moina, Aha and Ayna.


Renowned actor-director Sarah Kabori, MP, film producer Faridur Reza Sagar, actor-director Tauquir Ahmed and actors Aupee and Shahidul Alam from Bangladesh will participate in the festival, the release added.


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Kerala's "karimeen", "appam"and "puttu" on Discovery channel soon

Bourdain with Mammooty at the film set
Bourdain with Mammooty at the film set

Come July, international television audiences will have close encounters with Kerala's culinary attractions such as "karimeen", "appam" and "puttu" when the popular show "No Reservations" devotes an entire episode to the cuisine of the state.

Celebrity chef Anthony Bourdain, the host of the programme on Discovery Travel channel, has already shot the episode in "God's Own Country", a press release from Kerala Tourism said here today. The show is now in its sixth season.

Kerala is making an effort to cash in on culinary tourism, which is becoming increasingly popular with holidaymakers, especially the British, French and Americans, with more and more tourists indulging their taste buds with local food when travelling abroad.

Spain, Italy and France are the well-kown destinations for prospective gourmets, while long haul destinations, including China, Thailand and India, are becoming increasingly popular.

"When it comes to spices and variety, Kerala is right up there in my alley," says Bourdain, 53, the author of "A Cook’s Tour—In Search of the Perfect Meal".

Bourdain enjoys a meal with a local boatman
Bourdain enjoys a meal with a local boatman

For the Kerala episode, the master chef landed in Kochi at the fag end of March and travelled to Alappuzha to savour the backwaters cuisine. He stayed in a houseboat where he tried mussels and "kappa" (tapioca), a Kerala "sadya" (feast) and the spicy "karimeen" or pearl spot fish.

"I am also very impressed with the high standard of food in Kerala, especially the street food," says Bourdain, who earlier hit the streets in Kochi to taste the varieties offered by "Adipoli Thattukada" near the Medical Trust Hospital on the busy Mahatma Gandhi Road and "NM Fastfood" on Broadway.

Bourdain also enjoyed home cooked "puttu" (made of steamed rice powder), "meen" curry (fish cooked in coconut milk) and some vegetarian dishes (made with coconut) with well-known Malayalam actor Mammootty. He had visited the superstar during the shooting of his coming film "Pokkiri Raja". The food was brought from Mammootty’s home.

The "No Reservations" episode will also feature a discussion between Bourdain and Mammootty, the release said.

"By showcasing authentic Kerala food in the homes of ordinary people, Anthony Bourdain is also reaffirming that delicious food and hospitality is not just special to upscale restaurants and hotels, but is something that is customary throughout the state," Kerala Tourism Secretary V Venu said.

"It was wonderful to have such a high profile television host championing street and home cooked food," he said.

"Indian food has been under-appreciated in certain parts of the world. I would love to come back again to explore other towns and cities," Bourdain said.

Bourdain enjoys a houseboat ride.
Bourdain enjoys a houseboat ride.

Before shooting the sequence, Mammootty reportedly discussed various cuisines like the Mediterranean, Continental and Portuguese and the Western influences in Indian cuisine. He also told him about how Kerala delicacies like "idiyappam", "puttu" and stew were influenced by the Portuguese cuisine.

Besides Mammootty, the chef shot with restaurateur and Kerala’s culinary ambassador Das Sreedharan in Thrikkariyoor, a tiny village in Kothamangalam near Kochi. Sreedharan, who is originally from Thrikkariyoor, owns 11 restaurants in London. "We shot a major chunk of the episode with him in his village," said Bourdain.

In Alleppey, he stayed in a houseboat, where he was served some homemade delicacies. He also found time to visit a toddy shop where he ate spicy "karimeen" and prawns.

"I am not too crazy about toddy but the food at the toddy shop was very flavoursome," he said.

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President confers National Film Awards at glittering ceremony

President Pratibha Devisingh Patil presenting the Dada Saheb Phalke Award for the year 2008 to the legendary cinematographer V. K. Murthy at the 56th National Film Awards function, in New Delhi on March 19, 2010. Union Minister of Information and Broadcasting Ambika Soni and Minister of State for Information and Broadcasting S. Jagathrakshakan are also seen.
President Pratibha Devisingh Patil presenting the Dada Saheb Phalke Award for the year 2008 to the legendary cinematographer V. K. Murthy at the 56th National Film Awards function, in New Delhi on March 19, 2010. Union Minister of Information and Broadcasting Ambika Soni and Minister of State for Information and Broadcasting S. Jagathrakshakan are also seen.

Eminent cinematographer V K Murthy got a standing ovation as he received the Dadasaheb Phalke Award from President Pratibha Patil, who also conferred the National Film Awards for 2008 at a glittering function at the Vigyan Bhavan here this evening.

Mr Murthy, who has provided Indian movie audiences with some of the most memorable and breathtaking visual treats in the black-and-white era, was chosen for the prestigious award for his outstanding contribution to cinema.

Bengali film "Antaheen" got the award for the Best Film while Priyanka Chopra bagged the Best Actress Award for her role in Hindi film "Fashion" and Upendra Limaye got the Best Actor Award for his performance in Marathi film "Jogva".

Mr Murthy, 87, is the first cinematographer to have been selected for the Phalke award. Dada Saheb Phalke, a pioneer of the Indian film industry, himself was a cinematographer who had photographed his pioneering feature film "Raja Harishchandra".

In all, 130 awardees in 69 categories received their "Swarn Kamals" and "Rajat Kamals" along with the cash rewards at the hands of the President.

President Pratibha Patil presenting the Award for Best Actress to Priyanka Chopra for the Hindi film “Fashion”, at the 56th National Film Awards function, in New Delhi on March 19, 2010. Union Minister of Information and Broadcasting Ambika Soni is also seen.
President Pratibha Patil presenting the Award for Best Actress to Priyanka Chopra for the Hindi film “Fashion”, at the 56th National Film Awards function, in New Delhi on March 19, 2010. Union Minister of Information and Broadcasting Ambika Soni is also seen.

Speaking on the occasion, Ms Patil said every Indian was proud of the international acclaim, awards and the growing interest in Indian cinema the world over. She said the film industry should gear up to the challenges posed by demands for better cinematograpy and overall quality of films and influences coming from other media of entertainment such as television and the internet.

"Our film industry can play a part in bringing a progressive and fast developing India, anchored in thousands of years of a rich civilization, to the minds of viewers," she said.

Ms Patil said the award to Mr Murthy was relevant at a time when, around the world, newer and superior techniques were being tried out to bring to the audiences a better viewing experience.

Referring to the performance of Shams Patel, the winner of the Best Child Artiste award, she said it should make everyone more aware about the plight and problems of street children and inspire people to lend a helping hand to ease their sufferings.

Information and Broadcasting Minister Ambika Soni said the robust growth and development of the film industry in India was high on the agenda of the Government. She said her Ministry was ready to facilitate this process in every possible way.

She said the Government had constituted an Expert Committee to recommend ways of upscaling the National Film Awards and their suggestions would be taken into account in next year's awards. She said the Ministry also planned to spearhead the participation and promotion of Indian cinema in in key markets and festivals abroad in a much bigger way.

President Pratibha Patil presenting the Award for Best Actor to Upendra Limaye for Marathi film ‘Jogva’, at the 56th National Film Awards function, in New Delhi on March 19, 2010.
President Pratibha Patil presenting the Award for Best Actor to Upendra Limaye for Marathi film ‘Jogva’, at the 56th National Film Awards function, in New Delhi on March 19, 2010.

Well-known actors Divya Dutta and Ashutosh Rana hosted the awards ceremony, the highlights of which included singer Hariharan's rendering of his award-wnning song from the Marathi film "Jogva" - Jeev Dangla Gungla Rangla - and Bonnie Chakravorty's performance of the Best Choreography award winner song from "Jodhaa Akbar" - Azeem-o– shaan Shahenshah.

In other awards given today, "Antaheen" also got awards for the Best Cinematography (Avik Mukhopadhyay), Best Lyrics (Anindya Bannerjee and Chandranil Bhattacharya) and Best Female Playback Singer (Shreya Ghoshal).

"Jogva" also won the awards for the Best Film on Social Issues and for Best Music Direction.

Bollywood star Kangana Ranaut and Arjun Rampal got the Best Supporting Actress Award for "Fashion" and the Best Supporting Actor Award for "Rock On", respectively.

"Antaheen", directed by Aniruddha Roy Chowdhury, got the award for Best Film for its "lyrical blend of technical devices in the right proportion to depict shifting human relationships in an urban scenario."

The Indira Gandhi Award for Best First Film of a Director was given to "A Wednesday" directed by Neeraj Pandey while Hindi film "Oye Lucky! Lucky Oye!" directed by Dibakar Banerjee got the award for the Best Popular Film providing wholesome entertainment.

The Nargis Dutt Award for Best Film on National Integration went to Assamese movie "Ai Kot Nai"directed by Manju Borah.

"Little Zizou" in English/Gujarati, directed by Sooni Taraporewala got the award for the Best Film on Family Values.

"Jogva" directed by Rajeev Patil was given the award for the Best Film on Social Issues for its hard-hitting comment on the victims of age-old social customs, while "Jiata Bhoota" in Oriya got the award for the Best Film on Environment Conservation.

"Gubbachigalu" in Kannada got the award for the Best Children's Film while "Roadside Romeo" in Hindi, directed by Jugal Hansraj, got the award for the Best Animation Film.

The Best Director award went to Bala for Tamil film "Naan Kadauul".

Limaye was chosen Best Actor for his restrained yet powerful depiction of a complex character while Chopra got the Best Actress award for her convincing portrayal of a whole range of emotions within a single character.

Shams Patel won the award for the Best Child Artiste for his very natural depiction of a street child thrown into an unusual situation in the Hindi movie "Thanks Maa".

The following are the other awards presented today:

Best Screenplay: Sachin Kundalkar, Gandha (Marathi)

Best Audiography: Pramod J Thomas, Gandha (Marathi)

Best Editing: A Sreekar Prasad, Firaaq (Hindi)

Best Art Direction: Gautam Sen, Firaaq (Hindi)

Best Costume Designer: Neeta Lulla, Jodha Akbar (Hindi)

Best Make-up Artist: Moorthy V., Naan Kadauul (Tamil)

Best Music Direction: Ajay and Atul, Jogva (Marathi)

Best Lyrics: Anindya Bannerjee and Chandranil Bhattacharya, Antaheen (Bengali)

Special Jury Award: Bioscope (Malayalam), Directedby K M Madhusudhanan

Best Special Effects: Govardhan, Mumbai Meri Jaan (Hindi)

Best Choreography: Chinni Prakash & Rekha Prakash, Jodha Akbar (Hindi)

Best Assamese Film: Mon Jai, directed by M Maniram

Best Bengali Film: Shob Charitro Kalponik, directed by Rituparno Ghosh

Best Hindi Film: Rock On, directed by Abhishek Kapoor

Best Kannada Film: Vimukthi, directed by P Sheshadri

Best Malayalam Film: Thirakkada, diected by Ranjith

Best Marathi Film: Harishchandrachi Factory, directed by Paresh Mokashi

Best Tamil Film: Veranam Airam, directed by Gautham Vasudeva Menon

Best Telugu Film: 1940 Lookagramam, directed by Narasimha Nandi

Best English Film: Land Gold Women, directed by Avantika Hari

Best Kokborok Film: Yarwng, diected by Joseph Pulinthanath

Best Tulu Film: Gaggara, directed by Shivadhwaj Shetty

Non-Feature Films:

Best Non-Feature Film: AFSPA 1958, directed by Haobam Paban Kumar

Best First Non-Feature Film of a Director: Vitthal, directed by Vinoo Choliparambil

Best Anthropological/Ethnographic Film: Boliay Pitaier Sohoki Sootal, directed by Altaf Mazid

Best Biographical/Historical Reconstruction/Compilation Film: The Assassination of Rajiv Gandhi - A Reconstruction

Best Arts/Cultural Film: Karna Motcham, directed by S Murali Manohar

Best Scientific Film: Trip, directed by Emmanuel Palo

Best Promotional Film: Lost and Found, directed by Harshavardhan G Kulkarni

Best Agriculture Film: The Land of Rupshupas, directed by A K Sidhpuri

Best Film on Social Issues: The Female Nude, directed by Hemjyotika and Devi Prasad Mishra and Buru Gaara, directed by Shriprakash

Best Educational/Motivational/Instructional Film: Polio vs Polio Victims, directed by Aman Sachdeva

Best Exploration/Adventure Film: Shingnaba, directed by Bachaspa Timayum Sunzu

Best Investigative Film: Distant Rumblings, directed by Bani Prakash Das

Best Animation Film: Prince and the Crown of Stones, directed by Gautam Bengal

Special Jury Award: Rajesh S Jala for Children of the Pyre

Short Fiction Film: Stations, directed by Emmanuel Palo

Best Film on Family Values: Appuvin Nayagan - Spotty (My Hero), directed by Madhavan

Best Direction: Umesh Kulkarni, Three of Us

Best Cinematography: Three of Us (Shariqva Badar Khan, Filmlab), When This Man Dies (Jayakrishna Gummadi, Adlabs)

Best Audiography: Mateen Ahmad, Children of the Pyre

Best Stations: Manoj Kannoth, Stations

Best Music Direction: Narmeen, Vipin Mishra

Best Narration/Voiceover: Elangbam Natasha, Sana Keithel

Jury Special Mention: Child Actor Aniket Rumade, Vitthal

Best Writing on Cinema:

Best Book on Cinema: Bollywood Melodies (English), Ganesh Anantharaman

Special Jury Mention: The Director's Mind (English), Ujjal Chakraborty

Best Film Critic: Altaf Mazid and R K Bidur Singh

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Moily to receive Moortidevi award for Kannada epic poem

File photo of Union Law and Justice Minister M. Veerappa Moily.
File photo of Union Law and Justice Minister M. Veerappa Moily.

President Pratibha Patil will present the prestigious Moortidevi Award of Bharatiya Jnanpith to Union Law & Justice Minister M Veerappa Moily for his epic poem in five volumes in Kannada, "Shri Ramayan Mahanveshanam", here tomorrow.

Mr Moily, 70, a former Chief Minister of Karnataka, is a rare politician who is also well-regarded as a literary figure.

He is an established writer in Kannada and has written four novels, three collections of poetry, three plays and collections of essays, besides his magnum opus, "Shri Ramayana Mahanveshanam".

He was awarded the Second Father Kamil Bulke Ramayana International Award in 2007.

Mr Moily is now working on another epic poem on Draupadi titled "Shrimudi Parikramanam" which is likely to be published within a year.

His two volumes of "Musings On India" is a collection of essays and lectures on Indian history, culture, and society. He has launched a five-volume series, "Unleashing India". The first two volumes "Road Map for Agrarian Wealth Creation" and "Water-Elixir of Life" have already been published.

One of his major novels, "Kotta", has been produced as a telefilm in both Kannada and Hindi, directed by M.S.Sathyu. His novels "Kotta" and "Tembrare" have been translated into Hindi, English and many other Indian languages.

Parts of his ambitious epic have been translated into Hindi and Tamil. The English translation of the entire work is currently in the press.

As a writer, Mr Moily is noted for his concern for the marginalized classes, authenticity of depiction, and skilful craftsmanship. His major works are preceded by extensive research and discussion with concerned experts.

Apart from several awards, Mr Moily has been honoured with honorary Doctorate degrees by the Mangalore University, the Russian Academy and the National Law School University, Hyderabad.

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President to present National Film Awards on March 19

File photo of V. K. Murthy.
File photo of V. K. Murthy.

President Pratibha Patil will present the 56th National Film Awards for 2008 to the winners at a ceremony to be held at the Vigyan Bhavan here on March 19.

Legendary cinematographer V K Murthy, who has provided Indian cinema audiences with some of the most memorable and breathtaking visual treats in the black-and-white era, will also received the prestigious Dada Sahed Phalke Award for 2008 at the function.

The Dada Saheb Phalke Award was announced on January 19 and the 56th National Film Awards on January 23.

Bengali film "Antaheen" was chosen as the Best Film while Priyanka Chopra bagged the Best Actress Award for her role in Hindi film "Fashion" and Upendra Limaye got the Best Actor Award for his performance in Marathi film "Jogva" in the National Film Awards.

The Phalke Award is conferred every year by the Government of India for outstanding contributions to films and is based on the recommendations of a committee of eminent persons.

Mr Murthy, 87, is the first cinematographer to have been selected for the award. Dada Saheb Phalke, a pioneer of the Indian film industry, himself was a cinematographer who had photographed his pioneering feature film "Raja Harishchandra".

Mr Murthy is credited with breaking new grounds, ushering in modern and highly sophisticated techniques and bringing in rich visual artistry into Indian cinema.

He shot India's first cinemascope movie "Kagaz ke Phool" and is best remembered as the cinematographer for all of film-maker Guru Dutt's films. He is also one of the pioneers of colour cinematography in India. His picturisation of the title song of "Chaudhvin ka Chand" had left cinegoers mesmerised.

Mr Murthy, who started his career in cinema as a violinist, won the Filmfare Awards for movies such as "Kagaz ke Phool" and "Sahib, Bibi aur Ghulam".

Other films for which he wielded the camera include "Baazi", "Jaal", "Pyasa", "12 o'clock" and "Ziddi". He also partnered for "Pakeezah" and "Razia Sultan".

In a career spanning four decades, he also worked for Shyam Benegal's television series "Bharat Ek Khoj" and "Hoova Hannu" in Kannada. He has been an inspirationfor a whole generation of cinematographers.

Born in 1923 in Mysore, Mr Murthy earned his Diploma in Cinematography from S J Polytechnic, Bangalore in its very first batch 1943-46. As a student, he took part in India’s freedom struggle, was jailed in 1943 and is a recipient of freedom fighter’s pension. After nearly five decades in Mumbai, the ace cinematographer is now based in Bangalore. He is a recipient of the IIFA Lifetime Achievement Award at Amsterdam in 2005.

Mr Murthy will be the 56th recipient of the Dada Saheb Phalke Award. The award for a particular year is given along with the National Film Awards. It carries a cash prize of Rs 10 lakh, a Swarna Kamal and a shawl.

In the National Film Awards, "Antaheen" also won awards for the Best Cinematography (Avik Mukhopadhyay), Best Lyrics (Anindya Bannerjee and Chandranil Bhattacharya) and Best Female Playback Singer (Shreya Ghoshal).

Hariharan got the Best Male Playback Singer award for "Jogva", which also won the awards for the Best Film on Social Issues and for Best Music Direction.

Bollywood star Kangana Ranaut and Arjun Rampal were selected for the Best Supporting Actress Award for "Fashion" and the Best Supporting Actor Award for "Rock On", respectively.

"Antaheen", directed by Aniruddha Roy Chowdhury, was chosen as the Best Film for its "lyrical blend of technical devices in the right proportion to depict shifting human relationships in an urban scenario."

The Indira Gandhi Award for Best First Film of a Director was given to "A Wednesday" directed by Neeraj Pandey for its "slick and searing exposure of the tension below the normal rhythm of life and the angst of the common man in Mumbai."

Hindi film "Oye Lucky! Lucky Oye!" directed by Dibakar Banerjee got the award for the Best Popular Film providing wholesome entertainment for its "intelligent treatment of an off-beat subject that makes it different within the popular format."

The Nargis Dutt Award for Best Film on National Integration went to Assamese movie "Ai Kot Nai"directed by Manju Borah for its honest look at a burning problem in North-East India, its attempt to break down artificial boundaries and giving it a human and aesthetic appeal.

"Little Zizou" in English/Gujarati, directed by Sooni Taraporewala was chosen for the Best Film on Family Values for its witty and intelligent handling of the conflicts and convictions confronting the Parsi community.

The Marathi movie "Jogva" directed by Rajeev Patil was given the award for the Best Film on Social Issues for its hard-hitting comment on the victims of age-old social customs, while "Jiata Bhoota" in Oriya got the award for the Best Film on Environment Conservation.

"Gubbachigalu" in Kannada was chosen the Best Children's Film for its imaginative portrayal of a magic world that exists in the minds of children.

"Roadside Romeo" in Hindi, directed by Jugal Hansraj, got the award for the Best Animation Film.

The Best Director award went to Bala for Tamil film "Naan Kadauul" for its powerful handling of an extraordinary subject that focuses on marginal characters with great conviction.

Limaye was chosen Best Actor for his restrained yet powerful depiction of a complex character while Chopra got the Best Actress award for her convincing portrayal of a whole range of emotions within a single character.

Shams Patel won the award for the Best Child Artiste for his very natural depiction of a street child of a street child thrown into an unusual situation in the Hindi movie "Thanks Maa".

The following are the other awards:

Best Screenplay: Sachin Kundalkar, Gandha (Marathi)

Best Audiography: Pramod J Thomas, Gandha (Marathi)

Best Editing: A Sreekar Prasad, Firaaq (Hindi)

Best Art Direction: Gautam Sen, Firaaq (Hindi)

Best Costume Designer: Neeta Lulla, Jodha Akbar (Hindi)

Best Make-up Artist: Moorthy V., Naan Kadauul (Tamil)

Best Music Direction: Ajay and Atul, Jogva (Marathi)

Best Lyrics: Anindya Bannerjee and Chandranil Bhattacharya, Antaheen (Bengali)

Special Jury Award: Bioscope (Malayalam), Directedby K M Madhusudhanan

Best Special Effects: Govardhan, Mumbai Meri Jaan (Hindi)

Best Choreography: Chinni Prakash & Rekha Prakash, Jodha Akbar (Hindi)

Best Assamese Film: Mon Jai, directed by M Maniram

Best Bengali Film: Shob Charitro Kalponik, directed by Rituparno Ghosh

Best Hindi Film: Rock On, directed by Abhishek Kapoor

Best Kannada Film: Vimukthi, directed by P Sheshadri

Best Malayalam Film: Thirakkada, diected by Ranjith

Best Marathi Film: Harishchandrachi Factory, directed by Paresh Mokashi

Best Tamil Film: Veranam Airam, directed by Gautham Vasudeva Menon

Best Telugu Film: 1940 Lookagramam, directed by Narasimha Nandi

Best English Film: Land Gold Women, directed by Avantika Hari

Best Kokborok Film: Yarwng, diected by Joseph Pulinthanath

Best Tulu Film: Gaggara, directed by Shivadhwaj Shetty

Non-Feature Films:

Best Non-Feature Film: AFSPA 1958, directed by Haobam Paban Kumar

Best First Non-Feature Film of a Director: Vitthal, directed by Vinoo Choliparambil

Best Anthropological/Ethnographic Film: Boliay Pitaier Sohoki Sootal, directed by Altaf Mazid

Best Biographical/Historical Reconstruction/Compilation Film: The Assassination of Rajiv Gandhi - A Reconstruction

Best Arts/Cultural Film: Karna Motcham, directed by S Murali Manohar

Best Scientific Film: Trip, directed by Emmanuel Palo

Best Promotional Film: Lost and Found, directed by Harshavardhan G Kulkarni

Best Agriculture Film: The Land of Rupshupas, directed by A K Sidhpuri

Best Film on Social Issues: The Female Nude, directed by Hemjyotika and Devi Prasad Mishra and Buru Gaara, directed by Shriprakash

Best Educational/Motivational/Instructional Film: Polio vs Polio Victims, directed by Aman Sachdeva

Best Exploration/Adventure Film: Shingnaba, directed by Bachaspa Timayum Sunzu

Best Investigative Film: Distant Rumblings, directed by Bani Prakash Das

Best Animation Film: Prince and the Crown of Stones, directed by Gautam Bengal

Special Jury Award: Rajesh S Jala for Children of the Pyre

Short Fiction Film: Stations, directed by Emmanuel Palo

Best Film on Family Values: Appuvin Nayagan - Spotty (My Hero), directed by Madhavan

Best Direction: Umesh Kulkarni, Three of Us

Best Cinematography: Three of Us (Shariqva Badar Khan, Filmlab), When This Man Dies (Jayakrishna Gummadi, Adlabs)

Best Audiography: Mateen Ahmad, Children of the Pyre

Best Stations: Manoj Kannoth, Stations

Best Music Direction: Narmeen, Vipin Mishra

Best Narration/Voiceover: Elangbam Natasha, Sana Keithel

Jury Special Mention: Child Actor Aniket Rumade, Vitthal

Best Writing on Cinema:

Best Book on Cinema: Bollywood Melodies (English), Ganesh Anantharaman

Special Jury Mention: The Director's Mind (English), Ujjal Chakraborty

Best Film Critic: Altaf Mazid and R K Bidur Singh

The jury for Feature Films was headed by well-known film-maker Shaji N Karun and included Roshan Taneja, H.M. Ramachandra, Nagma, Satyabrata Kalita, Neelakanta, Dilip Ghosh, Swapan Mullick, Sudesh Syal, S.K. Srivastava, Archana, B. Shashi Kumar, Subhash Sehgal, Santosh Desai andSreelekha Mukherjee.

The jury for Non-Feature Films was headed by Arunaraje Patil and included Krishnendu Bose, Anirban Dutta, Sandeep Marwah, R. V. Ramani, Sarfaraz Siddiqui and Reena Mohan.

The jury on Best Writing on Cinema was headed by Sunil Gangopadhyay, assisted by Sudhish Pachauri and Ziya-us Salam.

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Exhibition of Nicholas Roerich's works begins in Delhi

Mount Kailash, Tempera on cardboard, International Roerich Trust Naggar.
Mount Kailash, Tempera on cardboard, International Roerich Trust Naggar.

The Ministry of Culture and the National Gallery of Modern Art (NGMA) in Delhi have jointly organised a month-long exhibition of 75 works of the great and prolific Russian painter Nicholas Roerich in the capital.

The exhibition, which will be open to the public from tomorrow until April 11 at the NGMA, coincides with the visit of Russian Prime Minister Vladimir Putin to India today.

The show, "Nicholas Roerich: An Eternal Quest" showcases works from The International Centre of Roerichs, Moscow and leading museums in India.

Roerich had made India his home in the latter part of his life and is today counted amongst the great Indian masters such as Rabindranath Tagore, Nandalal Bose and Jamini Roy.

"Nicholas Roerich was an extraordinary personality, a unique individual, having an immense thirst for knowledge, and a deep appreciation of beauty in all forms. A trained painter and lawyer, also archaeologist, ethnographer, geographer, poet, historian, philosopher, scientist, traveller, fighter for peace, defender of cultural values of all nations, Roerich throughout his life, devoted himself to the ideal of the common good of mankind.

"Roerich’s outlook of the world was unique, based upon the knowledge of the fundamental laws of Existence. He was convinced that by increasing the level of masses’ spiritual culture, one could transform life on earth and defeat ignorance, vulgarity, exploitation and wars. In his own words 'Where there is culture, there is peace'. Being convinced of the transforming power of culture, Nicholas Roerich devoted himself not only to artistic, but also to educational activities," an official press release said.

According to it, Roerich’s lifetime work comprises around 7000 paintings and sketches, which can be found in famous museums and private collections all around the world.

"His early works bear strong influences of his Russian heritage. Based on Russian themes and legends, the panoramic Russian landscapes, history and folk art, he travelled extensively, first in Russia, later in Europe and America, before realizing his long cherished dream to come to India. Drawn inexplicably to the vast mountain ranges of the Himalayas, like no other painter, Roerich was able to grasp and depict the subtle-most shades, hues and tones of the mountains, and their ethereal transparency. He was proclaimed the ‘Master of the Mountains’. He sensed the subtle spirit and harmony of the mountains, their solemn, mighty essence and significance for humanity as the symbol of the purest, highest aspiration towards beauty and knowledge. ‘Treasure-house of the Spirit’ – thus Roerich used to call his beloved Himalayas," it said.

Lenders to the exhibition include The International Roerich Trust, Naggar, Allahabad Museum, Baroda Museum and Picture Gallery, and Bharat Kala Bhavan, Varanasi.

The NGMA has also created a wide variety of prints, portfolios and memorabilia for the exhibition. Special films on the life and work of Nicholas Roerich will be screened daily.

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 Photo courtesy National Gallery of Modern Art website.

South Asian Women's Theatre Festival from March 8-15

As many as 14 groups from nine countries will present plays at the first ever South Asian Women's Theatre Festival, "Leela", that will be held here from March 8 to 15.

The inauguration of the festival on March 8 by Indian Council for Cultural Relations (ICCR) President Karan Singh will coincide with the 100th anniversary of the International Women's Day.

The groups that will perform at the festival are drawn from Afghanistan, Bangladesh, Bhutan, Maldives, Myanmar, Nepal, Pakistan, Sri Lanka and India. Besides Delhi, the plays will also be staged in Mumbai, Kolkata and Chandigarh.

The event has been organised by the ICCR in collaboration with the National School of Drama (NSD) and the Jamia Millia Islamia.

Dr Singh said the festival was a unique concept in that it would focus exclusively on women's issues and bring together talented groups from South Asian countries. Six groups from different parts of India will stage plays during the festival, he said.

"We need to strengthen the rich heritage of theatre in the entire South Asian Region, and I am confident that this festival will be a catalyst in encouraging and sustaining the Theatre Movement across the sub continent," he said.

ICCR Director General Virendra Gupta said theatre was an ancient tradition in South Asia and an integral component for broad cultural connectivity.

"The theme of the festival is Women’s Empowerment and creating awareness about women’s issues, which is important in the South Asian context for uplifting society. ICCR has always fostered people-to-people contacts through culture and the South Asian region is our immediate priority," he said.

NSD Director Anuradha Kapoor said the festival was part of a dialogue through theatre with India's neighbours.

"Theatre is a powerful and intense medium for creating awareness about sensitive socio-economic issues such as gender equity, the deprivations and difficulties faced by women from all communities and the need to mainstream their livelihood and development," Jamia Millia Islamia Vice-Chancellor Najeeb Jung said.

"South Asian countries from Afghanistan to Myanmar share cultural and social traditions which can help them learn from each other's experiences and best practices. This context gives the South Asian Women's Theatre Festival particular significance and relevance," he added.

Former career diplomat Veena Sikri of Jamia said the idea was to continue a dialogue through meeting of minds through theatre and foster peace and friendship. "The play from Afghanistan by an all-women group dealing with the destruction of the Buddha is story of courage. 'Jang ab nahi hoga' from Pakistan speaks against war," she said.

The organisers said women of South Asia have similar problems of grinding poverty, poor levels of achievement in the human development indices, poor maternal and child health, poor literacy rates and high levels of school drop-outs, violence against women, social injustice and gender inequalities of the worst kind, economic discrimination, including through lack of ownership or inadequate control over resources, and tremendous vulnerability during and in the aftermath of environmental disasters and armed conflicts.

The Festival accepts that these issues pertaining to women, which are common to all communities, religious beliefs and ethnic groups can be addressed more effectively through sharing and collaboration at every level, including the national, cross-national and regional levels.

It recognizes the key role of women as agents of change, central to the process of bringing education, development, peace and prosperity within and across the nations of South Asia. Simultaneously, within families and communities in South Asia, women continue to be the anchor for preserving traditions and best practices in the arts and literature, in crafts and textiles, and in matters concerning health and the environment, a press release issued by the organisers said.

Free passes for the festival can be collected from ICCR and the NSD, the release added.

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META Theatre Festival in Delhi from March 2-6

Scene from
Scene from "Guti Phulor Gamusa", one of the entries for the Mahindra Excellence in Theatre Awards 2010.

The Mahindra Theatre Festival, featuring the ten finest productions entered for the Mahindra Excellence in Theatre Awards (META) 2010, will be held here from March 2-6, the organisers have said.

The productions will be staged at the Kamani and the Sri Ram Centre auditoria in the capital, with theatre groups from around the country vying for awards in ten categories.

The jury for the awards comprise actor Dhritiman Chaterji, film-maiker M S Sathyu, author Nayantara Sahgal, screenplay writer Ranjit Kapoor, film and stage actress Seema Biswas and director Vijaya Mehta.

The awards night will be held on March 7 at the Taj Mahal Hotel in Delhi and is billed as an unusually interesting theatrical event.

"We are greatly honored to have with us a jury of such great distinction and such exemplary experience. We are very excited and looking forward to their participation in our 5th anniversary year of META," Ravi Dubey, Creative Director of META said.

As many as 230 entries were received for this year's META awards from across the country - the highest number in the last five years.

"That META has attracted over 230 entries from all over India signifies the interest and encouragement it has inspired in theatre companies across India. What is more, it is not just the number of entries that has increased but the quality of the productions that have shown a remarkable improvement every year," he said.

He said that META organisers were now looking at taking the event to the international arena and reinvent it on the global platform.

Scene from
Scene from "Rooparoop", one of the entries for the Mahindra Excellence in Theatre Awards 2010.

During the festival, short-listed productions will perform in front of the jury and audience for awards in the following categories: Best Play, Best Director, Best Original Script, Best Ensemble, Best Stage Design, Best Lighting Director, Best Innovative Sound Design, Best Costume Design, Best Choreography, Best Actor (Male) In a Leading Role, Best Actor (female) in a leading role, Best Supporting Actor (male) and Best Supporting Actor (female).

The highest number of entries were received this year from Maharashtra and the National Capital Region of Delhi, followed by West Bengal, Karnataka and Assam.

The following are the nominations shortlisted for each category:

BEST SOUND DESIGN

SHRI INAOCHA for Mirel Masingkha, SUNIL SHANBAG for Sex, Morality and Censorship and ANIL GOHAIN for Guti Phulor Gamusa

BEST LIGHTING DESIGN

ANIL GOHAI & KHIRUD GOGOI for Guti Phulor Gamusa, SUDIP SANYAL for Bharat Katha and HIDAAYAT SAMI for Black Bird

BEST COSTUME DESIGN

SIMA GHOSH for Bharat Katha, MANJU RAJKONWAR, NIDEDITA PHUKAN, SUMI BORGOHAIN for Guti Phulor Gamusa, KALYANI KULKARNI for Sex, Morality and Censorship, and TARUN FAIKIA for A -Chik A- Song

BEST STAGE DESIGN

NAYANTARA KOTIAN, PRASHANT PRAKASH, VIVEK JADHAV for Sex, Morality and Censorship, DEEPAN SIVARAMAN for Spinal Cord, BIDYAWATI PHUKAN for Guti Phulor Gamusa and PABITRA RABHA for A -Chik A- Song

BEST CHOREOGRAPHY

MANISH MITRA for Bharat Katha, BIDYAWATI PHUKAN for Guti Phulor Gamusa, DEEPAN SIVARAMAN for Spinal Cord, MAYA JADHAV, MAYUR VAIDYA for Sex, Morality and Censorship and PABITRA RABHA for A -Chik A- Song

BEST ACTOR IN A SUPPORTING ROLE - FEMALE

RAJASHREE WAD SAWANT for Sex, Morality and Censorship, MANJU RAJKONWAR for Guti Phulor Gamusa and SHANTA SINGH for Mirel Masingkha

BEST ACTOR IN A UPPORTING ROLE - MALE

RASIKA JOSHI for White Lily Aani Night Rider, KETAKI THATTE for Sex, Morality and Censorship, SHERNAZ PATEL for Black Bird

BEST ACTOR - MALE

NACHIKET POORNAPATRE for Garbo, HAPPY RANAJIT for Roop Aroop, NAGESH BHONSLE for Sex, Morality and Censorship and AKASH KHURANA for Black Bird

BEST ACTOR - FEMALE

RASIKA JOSHI for White Lily Aani Night Rider, KETAKI THATTE for Sex, Morality and Censorship, SHERNAZ PATEL for Black Bird

BEST ENSEMBLE

GUTI PHULOR GAMUSA, MIREL MASINGKHA, BHARAT KATHA, SPINAL CORD and A -CHIK A- SONG

BEST ORIGINAL SCRIPT

HANTA GOKHALE , IRAWATI KARNIK for Sex, Morality and Censorship, RASIKA JOSHI, MILIND PHATAK for White Lily Aani Night Rider, DEEPAN SIVARAMAN for Spinal Cord, MIREL MASINGKHA, BHARAT KATHA, SPINAL CORD and A -CHIK A- SONG

BEST DIRECTOR

DR. YUMNAM SADANAND SINGH for Mirel Masingkha , SUNIL SHANBAG for Sex, Morality and Censorship, BIDYAWATI PHUKAN for Guti Phulor Gamusa, MANISH MITRA for Bharat Katha and AKARSH KHURANA for Black Bird

BEST PLAY

BHARAT KATHA by Kasba Arghya, GARBO by Aasakta, GUTI PHULOR GAMUSA by UTSA, MIREL MASINGKHA by The Kanglie Mime Theatre Repertory, ROOP AROOP by Shaabdaakar, SEX, MORALITY AND CENSORSHIP by Theatre Arpana, SPINAL CORD by Oxygen Theatre Company, WHITE LILY AANI NIGHT RIDER by Anamika, BLACK BIRD by Akvarious Productions and A -CHIK A- SONG by Dapon.

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Omi Vaidya, Shruti Seth in IndusInd Bank's new ad campaign

Stills from one of the ad campaigns for IndusInd Bank featuring Omi Vaidya and Shruti Seth.
Stills from one of the ad campaigns for IndusInd Bank featuring Omi Vaidya and Shruti Seth.

Omi Vaidya, who grabbed attention with his role as Chatur in the Aamir Khan-Kareena Kapor starrer 3 Idiots, will appear in a television advertisement campaign for the first time in a series of three ads for the private sector IndusInd Bank.

Vaidya will feature in ads with Shruti Seth, popular television actress who has acted in Comedy Circus and Rishtey.com.

The ads, which are meant to push the bank's various services such as mobile alerts, online payments and Ready2Use savings accounts kit, are set to go on air from February 26.

They have been directed by Imtiaz Ali, who has helmed successful films like "Jab We Met" and "Love Aaj Kal".

"The ad campaign is aimed at tickling hearts (and minds) of viewers to establish the brand and its superior customer-centric services in humourous, fresh and heartfelt manner," a press release from the bank said.

The campaign will target potential customers from across age groups and genders. "The thought behind the campaign is to use subtle humour to highlight IndusInd Bank's world-class services like Mobile Alerts, Online Payments and Ready2Use Savings Account Kit, designed to make banking a hassle-free and pleasurable experience," it said.

"This ad campaign takes ahead our initiative to reposition IndusInd Bank as a young, energetic and responsive brand," Mr Romesh Sobti, MD & CEO of IndusInd Bank, said.

Stills from one of the ad campaigns for IndusInd Bank featuring Omi Vaidya and Shruti Seth.
Stills from one of the ad campaigns for IndusInd Bank featuring Omi Vaidya and Shruti Seth.

"This year is going to be the year of brand building for IndusInd Bank and we will witness consistent campaigns and other branding initiatives talking about product and service innovations. IndusInd Bank aims to transform into a bank for the rising Indian, imbibing the values of confidence, progression and dynamism," he said.

The three ads show how Vaidya and Seth, who play a young married couple (Mr. & Mrs. Chowgle), respond to each other during their day-to-day conversations. Each conversation between the two is humorous and ends with a focused message about one of the services which is offered by the bank. Each situation is a metaphor to communicate the service proposition.

Mr. Sumant Kathpalia, Head-Consumer Banking, IndusInd Bank said, "The new advertising campaign focuses on our customer friendly services.All the ads, in addition to the humour, are giving the core message of IndusInd Bank’s commitment to provide a world- class banking experience."

IndusInd Bank has taken up an aggressive brand-building programme since last year, when it undertook its first ever mass media campaign. Since then, it has been consistent in communication through television, radio and outdoor and print advertising.

Stills from one of the ad campaigns for IndusInd Bank featuring Omi Vaidya and Shruti Seth.
Stills from one of the ad campaigns for IndusInd Bank featuring Omi Vaidya and Shruti Seth.

Mr. Mohit Ganju, Head – Marketing, IndusInd Bank said, "This ad campaign is built on strong consumer insights and each of the situations depicted in the Ads are a slice of life and extremely relatable. The choice of casting and humor will definitely help us break the clutter and create some disruptive communication. We had chosen Imtiaz Ali to direct the ad films and he has done full justice to the endeavor. Omi and Shruti really got into the characters and did a great job. IndusInd Bank as a brand will get more recall and mileage from this ad campaign."

RK Swamy BBDO, New Delhi is the creative agency for the campaign. The campaign has been conceptualised by P S Mann, Creative Director, RK Swamy and the script has been put to light by Ankur Suman, Creative Group Head of the agency.

IndusInd Bank plans to roll out the campaign in almost all the popular TV Channels of the country between March and April. The campaign is in Hinglish language and it will be released in regional languages on all the regional channels. Estimated media spends for the TV Campaign is Rs. 5 crore, the release added.

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MNIK grosses Rs 150 cr in 10 days

A still from the film 'My name is Khan'.
A still from the film 'My name is Khan'.

Karan Johar's "My name is Khan", featuring Shah Rukh Khan and Kajol in the main roles, has grossed Rs 150 crore worldwide in the first 10 days after its release, the film's producers said today.

A press release from the producers said "My Name is Khan" (MNIK) had become only the third film in Bollywood history to touch this mark within the first ten days. Trade analysts expected it to become, within the coming week, the highest grossing Shah Rukh Khan film ever.

MNIK, a love story set against the backdrop of racial discrimination post 9/11, had raked in Rs 90.2 crore ($ 19 million) worldwide in its first three days, the biggest ever three-day collection worldwide in the history of Indian cinema.

The makers of the film are happy that MNIK has achieved all this in February, rather than in the summer holidays or the festive October-December period. Traditionally, February is not considered a strong period for a major film release because of the cold weather in many parts of the country and the world and school examinations in some parts of India. Besides, MNIK had to contend with controversies as well as the situation arising out of the bomb blast in Pune on February 13.

According to the release, the business done by MNIK in ten days in February was twice that achieved by any other Bollywood film ever released in this month in the past.

The release said MNIK was the biggest Bollywood film of all time within ten days in the United Arab Emirates (UAE), South Africa, the Netherlands, Hong Kong, Singapore, Indonesia, East and West Africa, Denmark, Norway, Sweden, Pakistan, Sri Lanka, Thailand and Mauritius.

Mr Mario Haddad, Head of Empire International Middle East, said that due to the demand they were opening the film in Jordan, Lebanon and Syria on March 10.

In the United Kingdom, MNIK has become the fastest film to cross GBP 2 million, managing the feat in just 11 days. The producers said that in the United States and Canada, MNIK was already the highest grossing Shah Rukh film of all time, within just ten days of release.

"We are delighted to be entering this elite group with our first major Bollywood venture. The film was created for a global audience and continues to break records worldwide. It is truly proving to be India's first global Bollywood film," Mr Vijay Singh, CEO of Fox Star Studios, added.

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Aishwarya Rai denies tabloid report, Bachchans furious

File photo of Aishwarya Rai Bachchan.
File photo of Aishwarya Rai Bachchan.

Film star Aishwarya Rai Bachchan has denied a report carried by a Mumbai tabloid that claimed that she was suffering from stomach tuberculosis and could not bear a child while she was being treated for the ailment.

Her husband, actor Abhishek Bachchan, and her father-in-law, megastar Amitabh Bachchan were furious at the report and wrote angry posts on their Twitter pages and blog, respectively.

"I am completely shocked, appalled and extremely upset with the contents of the article," Ms Bachchan wrote to the Mumbai Mirror, which carried excerpts from her letter on its website.

"I completely deny the report. It is fabricated and false. It is very disappointing that your office did not even bother to verify this article with me, my family, my spokesperson or my office. I would think it only ethical and correct to get the person in question's side of the story or verification before printing such news," she said.

Abhishek said the article was disgusting and appalling. "As a husband and a man I'm shocked that one can talk so irresponsibly about a woman, that too FALSELY!! On a personal note, as a husband, I will not stand for such rubbish being written about my wife," he said.

"I have never reacted to all the fabricated stories written by the media about me and my own. BUT THIS IS THE LIMIT!!!" the younger Bachchan tweeted on the micro-blogging site.

"You want to write and malign me or my father I will take it. But the ladies of my home are off limits! They've gone too far this time," Abhishek said. "Such integrity that they didn't even write the jounalist's name. Takes guts to stand by your work!"

Abhishek said Aishwarya had asked the paper for a "retraction and apology". "They've printed her denial but not the rest of the letter. And haven't had the decency to apologise," he wrote.

"Apart from the fact that they have written so irresponsibly about a woman, let alone my wife, my issue is when is all this kind of journalism going to stop???? I have immense respect for the media. They are the opinion makers of a nation, our conscience. THEY MUST BE RESPONSIBLE!!!" he added.

Amitabh Bachchan told the readers of his blog that he was writing in "deep anguish, pain and disgust".

"I am printing below an article that has been published today in the Mumbai Mirror, a sister tabloid of the 'prestigious" Times of India. This article is completely false, completely fabricated, unsubstantiated, insensitive and of the lowest quality of journalism there ever was," he wrote.

"I am too incensed and angered by the contents above," he wrote below a copy of the report he posted on his blog.

"Not a single portion of the article is true!!" he said.

"I am the head of my family. Aishwarya is not my daughter-in-law, she is my daughter, a woman, a lady in my house and home. If anyone will speak derogatorily about her, I shall fight for her till my last breath. If you have something to say to the men in the house, Abhishek or me, I shall bear it. BUT .. if you shall make injudicious remarks on the women in my home, I shall not tolerate it!!!"

When contacted in Mumbai, an editor of the Mumbai Mirror declined to make any comment in the matter.

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Aamir Khan quits panel on Copyright Act

Well-known actor Aamir Khan has resigned from a committee set up by the Government to consider amendments to the Copyright Act, upset by media reports about the discussions members of the panel had with Union Human Resource Development Minister Kapil Sibal in Mumbai last Sunday.

The actor e-mailed his resignation yesterday to Mr Sibal just two days after the panel was named, saying he was taking the step because of the public attack on him. He said the media reports had turned attention away from a genuine debate about copyright issues.

Aamir Khan said he felt he had a lot to contribute to the ongoing debate but could not make any meaningful contribution in this atmosphere.

Mr Sibal told reporters that it was sad that details of the discussion in the committee had been leaked to the media. He said he respected Aamir Khan's reaction and said that any other person in his place would also have reacted in the same way.

He said the work of the committee would go on, and some other person would soon be appointed to take the actor's place.

A Mumbai newspaper reported today that Aamir Khan had, taking the side of film producers, said at the meeting that lyricists did not really contribute much to the impact of the song. He suggested that a song became a hit because it was picturised on a big star.

Javed Akhtar took exception to this, and an argument between the two soon followed. According to the report, Javed said at one stage that the so-called contribution of the actors was nothing but interference.

Apart from Aamir Khan and Javed Akhtar, the other members of the committee are lyricist Prasoon Joshi, music directors Vishal Dadlani and Ram Sampat, script writers Anjum Rajabali and Saket Choudhury and music companies T-Series and Sa Re Ga Ma.

Mr Sibal told last Sunday's meeting that the prevailing situation in the film industry did not do justice to creative people like lyricists and music composers. He said the proposed amendments in the Copyright Act, 1957 would ensure that authors (lyricists and music composers) would not be able to assign intellectual rights to the film producer.

He said this would also entitle lyricists and music composers to a part of the revenue stream from the use of their creations for other purpsoes outside the film.

Mr Sibal said the Government was not interfering in the film business but just ensuring that copyright remained with the creator.

He said the Goverment wanted the Indian film industry to be the best in the world and thus wanted to increase the creative element and incentivise creativity. He said the changes in the Act would be in accordance with the TRIPS Agreement on Intellectual Property Rights.

He said the Copyright (Amendment) Bill would be introduced in the Budget session of Parliament, after which it would be referred to a Standing Committee of Parliament, which would hold public hearings and make suggestions. He said this Ministry would examine the suggestions and take the Bill to the Cabinet before finally intoducing it in Parliament.

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Jasraj, Amonkar, Yamini among 6 Sangeet Natak Akademi Fellows

File photo of Pandit Jasraj.
File photo of Pandit Jasraj.

Renowned classical vocalists Pandit Jasraj and Kishori Amonkar, Bharata Natyam dancer Yamini Krishnamurti, Carnatic violinist Lalgudi Jayaraman, actor Shreeram Lagoo and eminent Sanskrit scholar and theatre personality Kamlesh Dutt Tripathi have been chosen as Sangeet Natak Akademi Fellows.

The Akademi is India's national academy of music, dance and drama and the fellowship is a rare and prestigious honour, restricted to a very limited number of personalities in the field of performing arts at a given time.

At present, there are 32 Fellows of the Sangeet Natak Akademi. The decision was taken by the General Council of the Akademi at its meetings held here on January 29 and February 12.

The council also selected 33 artistes from the fields of music, dance and theatre for the Sangeet Natak Akademi Awards (Akademi Puraskar) for the year 2009.

In the field of music, those chosen for the awards are Abdul Rashid Khan and Vasundhara Komkali for Hindustani Vocal Music, Lachman Singh Seen (Tabla) and Ali Ahmad Hussain (Shehnai) for Hindustani Instrumental Music, Parassala B Ponnammal for Carnatic Vocal, U Srinivas (Mandolin) and Dandamudi Sumathi Rama Mohan Rao (Mridangam) for Carnatic Instrumental Music, and L. Ibohalmacha Singh (Nata Sankirtana) for Other Major Traditions of Music.

In the field of dance, the awards have gone to Ananda Shankar Jayant (Bharatanatyam), Prerana Shrimali (Kathak), Kalamandalam Rajan (Kathakali), L. Bino Devi (Manipuri), Geeta Mahalik (Odissi), Vyjayanthi Kashi (Kuchipudi), Daksha Sheth (Creative & Experimental Dance) and Kala Krishna (Other Major Traditions of Dance – Andhranatyam).

The winners in theatre are Shankar Narayan Navre (Marathi) and Vayala Vasudevan Pillai (Malayalam) for Playwriting, Sudha Shivpuri and Neeta Mohindra for Acting, and Joy Michael and Dinesh Thakur for Direction. For Allied Theatre Arts, Kamal Arora (Make-up) and Kuldeep Singh (Music for Theatre) have been selected.

For their contribution to Other Traditional/Folk/ Tribal Music/ Dance/ Theatre, Musafir Ram Bhardwaj, Folk Dance (Himachal Pradesh); Vilayat Khan Ragi, Dhadhi Folk Music (Punjab); U K Kunjirama Panicker, Theyyam (Kerala); Jaganath Behera, Pala (Orissa); Shanti Jain, Folk Music (Bihar); Vithal Gangaram Umap, Folk Theatre (Maharashtra) and Bhikhudan Govindbhai Gadhvi, Folk Music (Gujarat) have been selected.

Moinul Haque has been selected for the award for his contribution to Mime and Leela Venkataraman has been selected for her overall contribution to Performing Arts, an official press releae said.

The Akademi Fellow (Akademi Ratna) and Akademi Award (Akademi Puraskar) have been conferred since 1952, which not only symbolize the highest standard of excellence and achievements on a national basis, but also recognize sustained individual work and contribution to the practice and appreciation of the arts through performance, teaching and scholarship.

The honour of Akademi Fellow carries purse money of Rs 3,00,000 and Akademi Awards carry Rs 1,00,000, besides Tamrapatra and Angavastram.

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MNIK rakes in Rs 90.2 crore in opening weekend

A still from the film 'My name is Khan'.
A still from the film 'My name is Khan'.

Karan Johar's "My Name is Khan", starring Shah Rukh Khan and Kajol, has raked in Rs 90.2 crore ($ 19 milion) worldwide in its first three days, the biggest ever three-day collection worldwide in the history of Indian cinema, the film's producers said today.

A press release said the movie had smashed existing global opening records for Indian films in every country in which it was released this non-holiday three-day weekend.

My Name is Khan (MNIK) is a love story set against the backdrop of racial discrimination post 9/11 and has struck a chord with audiences all over.

"The most exciting part is that the worldwide collections jumped every day from Friday to Saturday to Sunday. This shows that the audience is absolutely loving Rizvan and Mandira," Vijay Singh, CEO Fox Star Studios, said, referring to the main characters played by Khan and Kajol in the movie.

The release said the Sunday collections in markets like the United States, the United Kingdm and the Middle East set new records for the biggest single day internationally for a Bollywood movie.

Fox International Productions President Sanford Panitch was ecstatic about the movie's performance so far. "While initially driven by the power of this extraordinary cast and director, it is My Name Is Khan as a film that has captivated audiences everywhere we have opened. An incredible start to this powerful and moving film."

According to the release, despite the protests by the Shiv Sena and other groups in Maharashtra, Gujarat, Indore and other centres on Friday and part of Saturday, the film had opened exceptionally well. In the states where there were no such issues, including Delhi, Uttar Pradesh, West Bengal, Tamil Nadu and Kerala, the collections had been the highest ever, it claimed.

The release said the $ 19m worldwide opening weekend for the film had surprised even Hollywood pundists as it had beaten the worldwide opening weekend numbers for John Travolta’s "From Paris With Love" and Mel Gibson’s "Edge of Darkness" which were released in the last couple of weeks.

It said the movie had also outperformed "Valentine's Day" in North America, recording the highest ever per screen average of any film in North America at $ 15,500.

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ESG honoured for making IFFI venue disabled-friendly

The Entertainment Society of Goa (ESG) was honoured here recently for making the venue of the annual International Film Festival of India (IFFI) disabled friendly.


The honour was bestowed on the ESG at the We Care Film Festival on Disability here by its organisers, the BITS Pilani Goa Campus, Brotherhood, the National Trust, United Nation Information Centre, UNESCO, and Asian Academy of Film and Television of India (AAFT) in association with the local organizations Sangath and Disability Rights Association, Goa .


The recognition was received on behalf of ESG by its General Manager Venancio Furtado, who appreciated the objectives of the We Care Film Fest and its participatory rating process. He gave an assurance that the ESG would be happy to associate with the We Care Film Fest in the near future.


The festival, which travels to educational institutions to create greater acceptance of the differently-abled as part of mainstream society, witnessed the screening of 32 documentary and short films on various forms of disability from India and overseas.


The festival is travelling to around 15 venues in the country over the next three months. It has introduced a participatory rating process in which the students and the audiences rate each film and an indepent jury judges the films on the basis of these ratings.


BITS Pilani Goa Campus Director K E Raman appealed to the students to think about the various issues of persons with disabilities and make use of their knowledge to promote their rights as set out in the various acts like PWD Act, the National Trust Act and UN Convention on the Rights of Persons with disability which came into force on May 3, 2009.


He said BITS had been organizing various national-level cultural and other educational events in its Pilani, Goa, Hyderabad and Dubai centres, but it was the first time that it had organized a festival on disability issues. He promised that BITS would continue to support the We Care Filmfest and take it to other centres of BITS as well.


Mr. Avelino D’Sa, President of the Disability Rights Association of Goa, welcomed the holding of the We Care Fimfest in the state and said the event would be taken to various corporates, State Government departments and owners of shopping malls to sensitize them on disability issues.


Mr. Vishram Gupta, Chairperson of Sangath Goa, said short films are very effective in sensitizing general public, students, children and persons with disability and their parents. He said the festival would be taken to schools and other educational institutions of Goa .


We Care Filmfest founder Director Satish Kapoor said: "a world that truly embraces diversity is one where the rights, dignity, and well-being of individuals are realized regardless of differences in race, faith, gender – or ability. People living with disabilities often surprise us with their abilities, with what they can do rather than what they cannot do, but not many tell their stories."


He said the festival was an opportunity for all students to develop their understanding and perspectives relating to disability issues besides contributing to the process of participatory rating. This would help the students whenever they plan to make short films/documentaries on disability. It would also help sensitise the general audience on various issues of disability, he said.


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DQE, Al Jazeera tie-up to telecast Jungle Book in Arabic

Animation, gaming and live action entertainment production and distribution company DQE today said it had signed an exclusive broadcast deal with Al Jazeera Children's Channel (JCC) for the telecast of the 52x11-minute-episode animate series and the 60-minute television feature of "The Jungle Book".


The company said in a press release that the agreement would allow JCC exclusive broadcasting rights across 22 Arab countries for a term of five years.


It said the Arabic version of The Jungle Book will be broadcast for the first time in 3d CGI across 22 countries: Algeria, Bahrain, Djibouti, Egypt, Libya, Comoros, Iraq, Jordan, Saudi Arabia, Kuwait, Lebanon, Mauritania, Morocco, Oman, Palestine, Qatar, Somalia, Sudan, Syria, Tunisia, United Arab Emirates and Yemen through JCC's feeds on Arabsat, Nilesat, Hotbird and Eurobird.


"The broadcast licensing agreement with Al Jazeera for our Jungle Book TV series is testament to the universal appeal of our Jungle Book adaptation.. This relationship is of immense strategic value to DQE for other potential alliances," Mr Tapaas Chakravarti, Chairman & CEO of DQE Group said.


Ms Malika Alouane, Director of Channels’ Programming at JCC said: "We are delighted to obtain the Arabic rights for the Jungle Book animated series and adapt it to our audience. The story book is a classic and well in line with many stories told across the vast territories JCC covers; in some countries, it is introduced in schools as part of students’ curriculum."


"We are pleased to partner with DQE and surely appreciate the quality they have achieved in bringing to life this promising children TV content", she added.


DQE recently filed its Draft Red Herring Prospectus with the Securities and Exchange Board of India (SEBI) seeking to go public.


The Jungle Book TV series and 60 minute Tele Movie in HD-3D, developed and produced by DQE group at a global budget of Euro 9.2 million in co-production with German broadcasting and distribution giant ZDF Group as well as famous French broadcaster TF-1 Group, supported by MoonScoop, France, a prolific producer of children's animated content, has already been sold for TV broadcasting to ABC TV Australia and for 27 countries to Disney Multiplex of Channels. Strategic licensing and merchandising discussions underway, the release added.


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Gutman's "August 17", Kulkarni's "The Spell" win Golden Conch at MIFF

Chairperson of the Jury Committee, Trinh T. Minh-Ha addressing a Press Conference held at 11th MIFF, 2010 at NCPA on 08.02.10. Also present in the Conference were Jury Members, Asha Parekh, veteran actress from Bollywood and Dr. S. Krishnaswamy, Film Maker from India.
Chairperson of the Jury Committee, Trinh T. Minh-Ha addressing a Press Conference held at 11th MIFF, 2010 at NCPA on 08.02.10. Also present in the Conference were Jury Members, Asha Parekh, veteran actress from Bollywood and Dr. S. Krishnaswamy, Film Maker from India.

Russian director Alexander Gutman’s "August 17" won the Golden Conch for the best documentary, while "The Spell" directed by Umesh Kulkarni was adjudged the best fiction film at the 11th Mumbai International Film Festival of Documentary, Animation and Short Films (MIFF), which concluded in Mumbai today.

"August 17" was unanimously praised by the jury headed by Trinh T Min-ha of the United States for its rigorous, transformative treatment of the unlimited human spirit in an extremely limited space.

Gutman’s 53-minute documentary traces the life and thoughts of Boris Bezotechestvo, sentenced to life imprisonment in a small cell. His world is all of four walls and a view from the window.

The St.Petersburg-based film-maker received the Golden Conch award along with Rs 3,00,000 in cash in the "Best Documentary above 30 minutes" category. The jury did not recommend any award in the less than 30 minutes category.

Ritu Sarin and Sonam Tenzing’s documentary "The Sun behind the Clouds" won the Silver Conch and Rs 150,000 in cash in the "Documentary above 30 minutes" category, for "upholding the spirit of liberty and maintaining a sense of balance while bringing about different perspectives within the Tibetan struggle." The film is about Dalai Lama’s efforts to resolve the conflict peacefully and reaction of the younger generation to the new stance.

Anwar Jamal’s "Anwar- Dream of a Dark Night" and Deepa Bhatia’s "Nero’s Guests" won special mentions.

In the "Documentary under 30 minutes" category – "Vagabond – A nomad in spirit and in reality" and "I Found a Thread" jointly shared the Silver Conch award and the cash prize of Rs 1,50,000. "Vagabond" gets the award for a sensible portrayal of a very difficult and traumatic episode of contemporary Indian history. "I Found a Thread" rekindles the ideals of Mahatma Gandhi to the contemporary society.

In the fiction category, Vinoo Choliparambil’s "Vitthal" won the Silver Conch and a Rs 1,50,000 cash prize. The film deals with child psychology, brilliantly depicting a child’s negative moods and his emotional struggle. Geetu Mohandas’s "Are You Listening" and Alex Holmes "Ali and the Ball" ( Australia ) won special mention of the jury.

"Burma VJ- Reporting from a Closed Country" won the award for the Best Film of the Festival produced by Line Lense Moller of Denmark. The film is about the struggle for democracy in Myanmar .

Deepa Bhatia’s "Nero’s Guests" received the Critics Award and a Certificate of Merit for revealing the reality of India ’s agriculture sector.

Whistling Woods International’s production "Bejinxed" won the Best Student Film award instituted by the Indian Documentary Producers’ Association (IDPA). The award carries the IDPA Trophy and a cash prize of Rs 25,000.

Shaji Pattanam’s "The Hunted- In Search of Home and Hope" was adjudged the best debut film of a director. This award comprising a trophy and Rs 100,000 is instituted by the Dadasaheb Phalke Chitranagari of Government of Maharashtra.

Sanjay Jangir’s "Wait and Path" which traces the initial frustration and later blossoming of hope of a differently-abled person won the Golden Conch in the Best Animation Film Category along with a cash prize of Rs 3,00,000.

National Institute of Design’s "Ukadi Pukadi" won the Silver Conch while Makrand Joshi’s "Lost Home" which traces how wild life finds concrete jungles more formidable won the special mention in the animation category .

Other members of the jury were Gianfranco Rosi of Italy, Peter Van Huystee of the Netherlands, S Krishnaswamy and Asha Parekh from India.

The awards were presented at a glittering ceremony in the presence of Maharashtra Governor K Sankarnarayanan, Minister of State for Information & Broadcasting Chaudhary Mohan Jatua and Maharashtra Deputy Chief Minsiter Chhagan Bhujbal.

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Bachchan likely to star in Malayalam film

Amitabh Bachchan.
Amitabh Bachchan.

Bollywood megastar Amitabh Bachchan is likely to act with well-known actor Mohan Lal in a Malayalam film based on the December, 1999 hijacking of an Indian Airlines flight to Kandahar in Afghanistan, Major Ravi, the director of the movie said.

Maj Ravi said he had narrated the story to Bachchan last night in Kochi, when Mohan Lal was also present.

"He listened to the story and gave me the dates straightaway. He said, 'I am doing the movie'," Maj Ravi told NetIndian over the telephone.

Maj Ravi, a former Indian Army officer, said the story of the film is only loosely based on the Kandahar hijacking case, using it as a starting point. "The story is then developed in my own way," he said. The movie has been tentatively titled "Kandahar".

Bachchan would be making a "guest appearance" in the movie but still have a "meaty role" as the father of one of the passengers on the plane and figure prominently in the climax scenes, he explained.

Maj Ravi said he had been working on the script for the last two years and would now be trying to finish work on it as quickly as possible so that he could apply for the necessary clearances from the army authorities. He said he planned to start shooting for the film by June or July.

Oscar Award-winning sound engineer Resul Pookutty will also be associated with the movie, he added.

Maj Ravi's real name is Major A K Ravindran. A recipient of the President's medal, he had joined the army in 1975 and had graduated from the Army Cadet College to become a commando in 1988. He was involved in the mission to capture suspects in the Rajiv Gandhi assassination case, an experience which he used to direct Mission 90 Days in 2007.

Using his army experience, he initially worked as a military consultant for many Indian films and worked with some of the best-known names in the industry. His first feature film was Keertichakra, starring Mohan Lal, on the militancy in Jammu & Kashmir, which won all-round applause. His third film Kurukshetra was based on the Kargil War, and also featured Mohan Lal.

Bachchan referred to the proposal about the movie in his blog. "Mohanlal comes up to the room later and narrates a script for which he wishes me to do a days’ guest appearance. I am inclined on principle but will read the script and revert," he said.

If Bachchan does act in the film, it will be his first appearance in a Malayalam film.

Bachchan was in Kochi to attend a function to felicitate Pookutty. He also wrote about his meeting with superstar Mammootty and Mohan Lal at the event.

"I meet up with the two greats of Malayalam cinema - Mohanlal and Mamooty. Their work is testimony to their greatness. Effortless, easy and so completely natural that it belies all that you may have conceived about how acting needs to be done," he remarked.

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Aamir Khan expresses wish to work with Amitabh Bachchan

Bollywood actor Aamir Khan has expressed a desire to work with Amitabh Bachchan when the megastar visited his house yesterday to condole his father Tahir Hussain's death.

"We went across to Aamir’s place and spent time with him and his family. Tried to keep the atmosphere light and cheerful. It was pleasant," Bachchan wrote on his blog.

"As Aamir came down to see us off when we left his house, he expressed - 'We must work together sir .. '. I told him to direct a film. He has such talent for it. He nodded approval," he said.

"But we all know that nods of approval and desire to work together, make good conversation ready to (be) picked up as a headline tomorrow, and nothing more," he added.

The actor remembered Hussain as an "effervescent gentleman, producer and director."

He recalled that his wife Jaya Bachchan had worked with Hussain in "Anamika" with Sanjeev Kumar.

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Ranbir Kapoor goes to NBA in New York

Bollywood star Ranbir Kapoor, who was in New York recently, took the opportunity to visit his athlete friends from the NBA.

Reports reaching here said the actor received a warm welcome from NBA's most valuable player Kobe Bryant, who gifted him a pair of his favourite sneakers.

Nate Robinson, the 2009 Sprite Slam Dunk contest winner, gifted Ranbir his autographed jersey.

"I heard of stories about Madison Square Garden, but actually being in this place...it was just amazing...I'm still shaking with excitement," the actor was quoted as saying of his experience.

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Photos courtesy Getty Images

Ranbir Kapoor with Nate Robinson.
Ranbir Kapoor with Nate Robinson.
Ranbir Kapoor with his autographed jersey.
Ranbir Kapoor with his autographed jersey.
Kobe Bryant with Ranbir Kapoor.
Kobe Bryant with Ranbir Kapoor.

National Awards: Antaheen is Best Film, Priyanka, Limaye Best Actors

Bengali film "Antaheen" was chosen as the Best Film while Priyanka Chopra bagged the Best Actress Award for her role in Hindi film "Fashion" and Upendra Limaye got the Best Actor Award for his performance in Marathi film "Jogva" in the 56th National Film Awards for 2008 announced here today.

"Antaheen" also won awards for the Best Cinematography (Avik Mukhopadhyay), Best Lyrics (Anindya Bannerjee and Chandranil Bhattacharya) and Best Female Playback Singer (Shreya Ghoshal).

The Juries for Feature Films, Non-Feature Films and for Best Writing on Cinema presented their report to Union Information & Broadcasting Minister Ambika Soni earlier in the day.

Hariharan got the Best Male Playback Singer award for "Jogva", which also won the awards for the Best Film on Social Issues and for Best Music Direction.

Bollywood star Kangana Ranaut and Arjun Rampal were selected for the Best Supporting Actress Award for "Fashion" and the Best Supporting Actor Award for "Rock On", respectively.

"Antaheen", directed by Aniruddha Roy Chowdhury, was chosen as the Best Film for its "lyrical blend of technical devices in the right proportion to depict shifting human relationships in an urban scenario."

The Indira Gandhi Award for Best First Film of a Director was given to "A Wednesday" directed by Neeraj Pandey for its "slick and searing exposure of the tension below the normal rhythm of life and the angst of the common man in Mumbai."

Hindi film "Oye Lucky! Lucky Oye!" directed by Dibakar Banerjee got the award for the Best Popular Film providing wholesome entertainment for its "intelligent treatment of an off-beat subject that makes it different within the popular format."

The Nargis Dutt Award for Best Film on National Integration went to Assamese movie "Ai Kot Nai"directed by Manju Borah for its honest look at a burning problem in North-East India, its attempt to break down artificial boundaries and giving it a human and aesthetic appeal.

"Little Zizou" in English/Gujarati, directed by Sooni Taraporewala was chosen for the Best Film on Family Values for its witty and intelligent handling of the conflicts and convictions confronting the Parsi community.

The Marathi movie "Jogva" directed by Rajeev Patil was given the award for the Best Film on Social Issues for its hard-hitting comment on the victims of age-old social customs, while "Jiata Bhoota" in Oriya got the award for the Best Film on Environment Conservation.

"Gubbachigalu" in Kannada was chosen the Best Children's Film for its imaginative portrayal of a magic world that exists in the minds of children.

"Roadside Romeo" in Hindi, directed by Jugal Hansraj, got the award for the Best Animation Film.

The Best Director award went to Bala for Tamil film "Naan Kadauul" for its powerful handling of an extraordinary subject that focuses on marginal characters with great conviction.

Limaye was chosen Best Actor for his restrained yet powerful depiction of a complex character while Chopra got the Best Actress award for her convincing portrayal of a whole range of emotions within a single character.

Shams Patel won the award for the Best Child Artiste for his very natural depiction of a street child of a street child thrown into an unusual situation in the Hindi movie "Thanks Maa".

The following are the other awards announced today:

Best Screenplay: Sachin Kundalkar, Gandha (Marathi)

Best Audiography: Pramod J Thomas, Gandha (Marathi)

Best Editing: A Sreekar Prasad, Firaaq (Hindi)

Best Art Direction: Gautam Sen, Firaaq (Hindi)

Best Costume Designer: Neeta Lulla, Jodha Akbar (Hindi)

Best Make-up Artist: Moorthy V., Naan Kadauul (Tamil)

Best Music Direction: Ajay and Atul, Jogva (Marathi)

Best Lyrics: Anindya Bannerjee and Chandranil Bhattacharya, Antaheen (Bengali)

Special Jury Award: Bioscope (Malayalam), Directedby K M Madhusudhanan

Best Special Effects: Govardhan, Mumbai Meri Jaan (Hindi)

Best Choreography: Chinni Prakash & Rekha Prakash, Jodha Akbar (Hindi)

Best Assamese Film: Mon Jai, directed by M Maniram

Best Bengali Film: Shob Charitro Kalponik, directed by Rituparno Ghosh

Best Hindi Film: Rock On, directed by Abhishek Kapoor

Best Kannada Film: Vimukthi, directed by P Sheshadri

Best Malayalam Film: Thirakkada, diected by Ranjith

Best Marathi Film: Harishchandrachi Factory, directed by Paresh Mokashi

Best Tamil Film: Veranam Airam, directed by Gautham Vasudeva Menon

Best Telugu Film: 1940 Lookagramam, directed by Narasimha Nandi

Best English Film: Land Gold Women, directed by Avantika Hari

Best Kokborok Film: Yarwng, diected by Joseph Pulinthanath

Best Tulu Film: Gaggara, directed by Shivadhwaj Shetty

Non-Feature Films:

Best Non-Feature Film: AFSPA 1958, directed by Haobam Paban Kumar

Best First Non-Feature Film of a Director: Vitthal, directed by Vinoo Choliparambil

Best Anthropological/Ethnographic Film: Boliay Pitaier Sohoki Sootal, directed by Altaf Mazid

Best Biographical/Historical Reconstruction/Compilation Film: The Assassination of Rajiv Gandhi - A Reconstruction

Best Arts/Cultural Film: Karna Motcham, directed by S Murali Manohar

Best Scientific Film: Trip, directed by Emmanuel Palo

Best Promotional Film: Lost and Found, directed by Harshavardhan G Kulkarni

Best Agriculture Film: The Land of Rupshupas, directed by A K Sidhpuri

Best Film on Social Issues: The Female Nude, directed by Hemjyotika and Devi Prasad Mishra and Buru Gaara, directed by Shriprakash

Best Educational/Motivational/Instructional Film: Polio vs Polio Victims, directed by Aman Sachdeva

Best Exploration/Adventure Film: Shingnaba, directed by Bachaspa Timayum Sunzu

Best Investigative Film: Distant Rumblings, directed by Bani Prakash Das

Best Animation Film: Prince and the Crown of Stones, directed by Gautam Bengal

Special Jury Award: Rajesh S Jala for Children of the Pyre

Short Fiction Film: Stations, directed by Emmanuel Palo

Best Film on Family Values: Appuvin Nayagan - Spotty (My Hero), directed by Madhavan

Best Direction: Umesh Kulkarni, Three of Us

Best Cinematography: Three of Us (Shariqva Badar Khan, Filmlab), When This Man Dies (Jayakrishna Gummadi, Adlabs)

Best Audiography: Mateen Ahmad, Children of the Pyre

Best Stations: Manoj Kannoth, Stations

Best Music Direction: Narmeen, Vipin Mishra

Best Narration/Voiceover: Elangbam Natasha, Sana Keithel

Jury Special Mention: Child Actor Aniket Rumade, Vitthal

Best Writing on Cinema:

Best Book on Cinema: Bollywood Melodies (English), Ganesh Anantharaman

Special Jury Mention: The Director's Mind (English), Ujjal Chakraborty

Best Film Critic: Altaf Mazid and R K Bidur Singh

The jury for Feature Films was headed by well-known film-maker Shaji N Karun and included Roshan Taneja, H.M. Ramachandra, Nagma, Satyabrata Kalita, Neelakanta, Dilip Ghosh, Swapan Mullick, Sudesh Syal, S.K. Srivastava, Archana, B. Shashi Kumar, Subhash Sehgal, Santosh Desai andSreelekha Mukherjee.

The jury for Non-Feature Films was headed by Arunaraje Patil and included Krishnendu Bose, Anirban Dutta, Sandeep Marwah, R. V. Ramani, Sarfaraz Siddiqui and Reena Mohan.

There were 126 entries for the feature film categories while there were 99 entries for the non-feature film section.

The jury on Best Writing on Cinema was headed by Sunil Gangopadhyay, assisted by Sudhish Pachauri and Ziya-us Salam.

The awards will be conferred by President Pratibha Patil at a function to be held in the capital in March.

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